Christina Aguilera Collaborates With Ty Dolla $ign & 2Chainz For New Song 'Accelerate'


"I've stepped so far away from that little girl, and if that means going away for a little while and figuring out who you are again and what you need to say, then that's what you need to do".

Christina Aguilera is making her comeback. "Anything like that to get me out of that zone, that TV mode".

The next scene shows the 37-year-old alone in front of a red backdrop, belting what appears to be a new song from the LP without a backing track: "How was I supposed to know / that it would cost my soul / nothing is free / I want to breathe / How am I supposed to face this lonely life I've created", she croons.

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Kayne West coproduced "Accelerate" and "Maria", and Aguilera said she "always been a fan" of him.

Aguilera reported feeling like she was desperately trying to find ways to express herself as a result, and using her hair and make-up to do it. "I'm sorry I struggle accepting the beauty that lies in myself". "I'm looking forward to getting back out and actually showing my kids what Mommy really does!" She was part of the debut season and stayed on for five more seasons between 2011 and 2016.

The Grammy Award-winning singer added that, eventually, she needed to get out and do her own thing.

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Singer Christina Aguilera announced its first for six years Studio album, entitled Liberation, reports the Independent.

"At one point, she says that a "breaking point" came when she began to let go of the "masks" and perfectionism" that sometimes come with being a performer alongside footage of her staring into the mirror as she takes off a long, pink wig.

Tribal-inspired drums and bass beats kickstart the song before Christina rap-sings the first verse in a style similar to Beyoncé in "7/11" and "Formation", just in a much less brash way. As the title insinuates, the singer is stripping back and breaking out from who she has been during her hiatus - and her makeup has a lot to do with it. This marks her first album since 2012's "Lotus".

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